Experimental Street Art
I am not a writer conforms to the standards of what is today understood as writing, despite being aware of this, I feel writers fully. Have been marking for 15 years territory with my tag, everywhere I go. I have always studied my letters, with the intent to develop, own lines of notebooks with targeted studies of letters, alphabets, perspective, shapes, ideas, drawings. Apparently my letters may look simple, but on the contrary, continuous improvements are associated with different types of studio style and fonts.
There are letters as Diamond, (executed Spray), letters as Origami, (mostly painted with Brushs), then there are the letters like laser or Constellation (which I run with tape, spray paint and Fluorescent colors), while l ' last study concerns the letters to Shadow Painting, made a font for the roller and spray for the shadow.
One of the most important features of my relationship with the letters is the attitude towards the action, as the instinctiveness that is very visible in a Diamond font only run in out-line (preferably with no filling).
The research of the sign is due to the strong interest in respect of the first attempts at writing the 60 - 70.
I was always fascinated the idea that the early writers had no idea of what they were doing at the beginning there was a style of "canonical", there being no rules outside of writing his name, the writers of the experiment enlarged size of their name teg, adding ideas, such as thickness, Pass, Loop, 3D. It was a search, a search graphic dictated by instinct and the insistence of those who knew dare.
With these objectives, I started to write in a personal way, an individual research that objectively did not want to be beautiful, its goal was and is to develop piece by piece. I never painted with the intent to do something that would please anyone.
Even in the tag I used the same attention, in spite of such a drastic change over the years, the form and the handwriting was possible to bring the same person.
Another aspect of my asrt, due to the early writing is research tract with the spray, spray using old and original as those from the body, cap with vintage, with which you can not easily adjust the pressure of the stretch and spray, if want to give some kind of "aesthetic" you must do so with the same means. I have to spray the body of every type and brand, my favorite is the Very Well, is violent in the stretch smell paint from the bodywork.
Those performed with spray stuff really harsh, harsh but true.
Useless Idea - Street Artist
Foto log
Flickr
MySpace
There are letters as Diamond, (executed Spray), letters as Origami, (mostly painted with Brushs), then there are the letters like laser or Constellation (which I run with tape, spray paint and Fluorescent colors), while l ' last study concerns the letters to Shadow Painting, made a font for the roller and spray for the shadow.
One of the most important features of my relationship with the letters is the attitude towards the action, as the instinctiveness that is very visible in a Diamond font only run in out-line (preferably with no filling).
The research of the sign is due to the strong interest in respect of the first attempts at writing the 60 - 70.
I was always fascinated the idea that the early writers had no idea of what they were doing at the beginning there was a style of "canonical", there being no rules outside of writing his name, the writers of the experiment enlarged size of their name teg, adding ideas, such as thickness, Pass, Loop, 3D. It was a search, a search graphic dictated by instinct and the insistence of those who knew dare.
With these objectives, I started to write in a personal way, an individual research that objectively did not want to be beautiful, its goal was and is to develop piece by piece. I never painted with the intent to do something that would please anyone.
Even in the tag I used the same attention, in spite of such a drastic change over the years, the form and the handwriting was possible to bring the same person.
Another aspect of my asrt, due to the early writing is research tract with the spray, spray using old and original as those from the body, cap with vintage, with which you can not easily adjust the pressure of the stretch and spray, if want to give some kind of "aesthetic" you must do so with the same means. I have to spray the body of every type and brand, my favorite is the Very Well, is violent in the stretch smell paint from the bodywork.
Those performed with spray stuff really harsh, harsh but true.
Useless Idea - Street Artist
Foto log
Flickr
MySpace
Etichette: Street_Art_Italy
postato da Admin @ 15.16
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